ingyun jeong pho fall 2014
2014년 12월 2일 화요일
2014년 10월 30일 목요일
Article & review 8
Booooooom - http://www.booooooom.com/blog/photo/
http://www.booooooom.com/2014/10/29/photographer-kari-medig/
http://www.booooooom.com/2014/10/29/photographer-kari-medig/
There is a good place for photographer. I think good spot makes good photo. I don't know where there is. As I did, many photographers are finding good place for their work. Of course, there are several artists try to make good work just near by they are living. But in my opinion, they need to find the spot for good work.
2014년 10월 23일 목요일
article & review 7
http://ernestprotasiewicz.com/
It was really hard choosing this photo. There are several good works on that blog. Among them, I choose this work. It is pattern. But It doesn't contain only patterns, we can find reflection,too. It seemed that That is I-phone with mirror screen protection filler. it is natural if the phone was put on middle of pattern, pattern should cut by that. But this case is different it makes front pattern connect with backward one. Moreover it is not starange.
2014년 10월 16일 목요일
Article and review 6
http://www.urbanautica.com/
Mircea Nicolae from the series ‘The Bus Stop’
However, there is a level where I am less interested in the aesthetics of the image, and more in the bare recording of urban landscapes. Often, as a more or less informed viewer, it is less the composition or the visual interest that matters.
i loved all of his photos. Because he took a picture only easy things. Whenever I took a picture for assingment, I don't know what I do. But I think he took that easily. He thinks picture is everywhere. I always went to some special spot become good picture. He never uses any good skills and something special. I can get brave to take my assignment. I am going to do that just where i am looking. Everything becomes good thing.
2014년 10월 14일 화요일
2014년 10월 9일 목요일
article and review 5
Revisiting the Sequence:
Minor White at the Getty Center
http://www.aperture.org/blog/minor-white-manifestations-spirit-conversation-curator-paul-martineau/
DCS: When I was working as an editor at Aperture magazine, many decades later, that was still the central question: how does the work communicate to the reader? The magazine has to function as a mediator between the artist and the public—and it was Minor who set up that dynamic for Aperture. How does an artist take this intensely personal thing and universalize it so that people will get it on the other end? As an editor, Minor understood: the magazine brings it to the reader, and the reader in turn has to be able to take it and go with it.
I really like that sentence. 'how does the work communicate to the reader?' It is the reason why i choose the art class. As i wrote on first review, I want to understand art work. I don't know why many people want art. I can't feel any art works. The author tell us magazine is good thing for connecting with artist.
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